Go West Young Man

Modern Art Museum of Fort Worth, TX. Photo by Cecelia Feld

Only 35 miles separate Dallas and Fort Worth, so after (or before) we take visitors to the Dallas museums we hop on the freeway and high tail it to Ft. Worth to do the museums there.

The Modern Reflections. Photo by Cecelia Feld

Recently, the Modern Art Museum of Fort Worth (a mouthful, shortened to The Modern) was my focus, literally.

Photo by Cecelia Feld

When architect Tadeo Ando came west he brought an eastern sensibility with him and gave the city not only a building worthy of a significant collection of modern and contemporary art but a piece of art in its own right.

The spare and unembellished steel, glass and concrete building  floats on a 1.5 acre reflecting pond. Inside and outside are connected. I wanted to capture the play of light against the building, the cast shadows, shimmering reflections and the vertical, horizontal and diagonal patterns. Always going for the details.

Photo by Cecelia Feld

Photo by Cecelia Feld

Inside, you exit a gallery, turn a corner, and catch a glimpse of the water outside. Lovely. Refreshing.

Photo by Cecelia Feld

Café Modern, with its elliptical dining room surrounded by water, is the place to take a break for coffee or lunch and “float” for a while.

Photo by Cecelia Feld

The man knew how to make us feel cool on a hot Texas day.


New Guy In Town

One of my favorite activities, when I’m not in my studio, is visiting museums. On a recent trip to Denver I went to the new Clyfford Still Museum. It is adjacent to the Denver Art Museum, its straight lines and solid mass contrasting sharply with the DAM’s angular walls. The Brad Cloepfil designed building houses almost 94% of Still’s total output (paintings, works on paper and sculptures).

Clyfford Still Museum - gallery

The path from representational depictions of farm workers in the 1920’s and 30’s to his fully realized Abstract Expressionist paintings of the 50’s until his death in 1980 are beautifully displayed, several to a gallery.

I was in college during the heyday of Abstract Expressionism. I was not as aware of Still and his contemporaries as maybe I should have been, (no Jackson Pollacks in my collection), but I was greatly influenced by one of the group, William Baziotes, who was my teacher at Hunter College. His discussions of how to “see” the world around us in terms of color, shape, line and texture influenced the direction my own art would take.

Clyfford Still "PH-272", 1950, detail

I have always said my work is about those “relationships.” As long as you understand that, you will be comfortable with the absence of object or narrative in my work.

Cecelia Feld #249 Sienna, acrylic painting, 69x53", 1983

Cecelia Feld #1209 This Must Be Your Lucky Day, collagraph collage, 8x11", 2009

See what I mean?